All Things Must Pass

 

We really should thank our sweet Lord that the song writing partnership of Lennon and McCartney frustrated George Harrison in the later, troubled years of that band they were in. You know that band; you’ve heard of them, I’m sure. There was John, Paul, George and that guy who voiced Thomas the Tank Engine and doesn’t do autographs anymore (peace and love, peace and love). The Beatles.

To quote Lennon, he and Paul “carved up the empire” between themselves because at first George wrote one throwaway song for each Beatle album and by the time he got good, the group was losing interest in being ‘fab’. This frustration at being overlooked is something that Harrison turned to his advantage. When the time came to deliver the statement that was his debut solo album; All Things Must Pass (1970), he had a huge backlog of songs to include.

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Grace Under Pressure

Elbow’s Cast of Thousands reviewed.

The second string to the Elbow came in 2003. Two years on from that second first album and with more than a few people looking in their direction to see what was going to come next from this band. Elbow seem to deliver contrasts. They create a universal intimacy which is evident in spades on Cast of Thousands along with a feeling that now they are reaching an audience and they know it (quite literally when you remember that the crowd at their Glastonbury performance sings on Grace Under Pressure).

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Maybe it’s just me but it seems in fashion right now to completely record an album, hate it, bin it and start again. The Scissor Sisters’ ‘Night Work’ owes much to the fact that Jake did one to Berlin when the original recording sessions didn’t provide the sounds that the band wanted.

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Katy Perry seems to divide opinion. There are some that think she writes throw-away music for high school kids and give her no credit. Some give her begrudging credit because one or two of those songs are catchy. Some have voiced an opinion on ‘I Kissed a Girl’ alone, sighting it as nothing more than a manipulative flirt with the gay audience a la Pink, Madonna and Britney.

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“Their music rolls like a Manchester Limousine. Beautiful on the surface yet intricate and clever if you care to look deeper. And if you do, well, the journey that you go on makes it all worth it.”

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“Jazz is the last refuge of the untalented. Jazz musicians enjoy themselves more than anyone listening to them does”

 

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Is the debut album cursed?

Many reviewers have said this, all a lot more experienced than this one, but an old idea is a good idea; bands have their whole life to record their first album, no-one is listening and much of the time no-one is waiting for it.

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Christian Kane – Part Two

Live in London  is an acoustic set performed by Christian and Steve; it’s more intimate acoustically but does not lack any of the energy of the full band recordings. The Live In London is a closer representation of the UK gigs this month. Perhaps listen to this set if you are at all daunted by the country music tag, because this will give you a chance to hear the music and the lyrics in a rawer setting without the other guys. In this collection and on the night in Liverpool you can really hear Steve and Christian play off each other in the songs as well as between them. Their chemistry shines through and they set the songs off well.

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